Beat Generals

Beat Generals Mixing And Mastering

Are you ready to learn how to record music and make an album? Our experts will show audio tutorial guided such as engraving and mix songs, rhythms, play and customize software tools and the use of the production of popular music and its engineering software such as Avid Pro Tools, Logic Pro, Ableton Live and more. Learn Logic Pro, mixing and mastering technical, each producer and engineer need to know, through the elaboration of a project for compression, automation and mastering. One of the most important ingredients in the audio mixer, reverb, explains the time taken for the sound, echo and bounce and disintegrate during a performance live or recording. Covers the basic tools of the merger, each producer and Pro Tools engineer should know with EQ that clearer focus and apply dynamic compression to control and optimize a trace level to limit the mixture. Now, the mixture should be prepared for the little light to the main treatment. The main thing here is, that most likely already tracks, so less is more were made in its mix of capacity of the processors. General treatment only here light and maybe some problem try to resolve, if necessary. With regard to the EQ, it could be a key upscale, applied a little air to the mix, especially when it was recorded on analog equipment. You can also filter the low frequencies at this stage is particularly effective if you sound of vinyl or other sounds that must reduce introduced during your registration. Finally, you can use a mastering limiter, to ensure that the hardware has achieved its maximum volume when mixing. Find the section of the entire system and put that a reduction of gain of 2 dB limiter is applied. More than this and you can begin to distortion. These tracks were already limited by the wall, it may suffer double excessive treatment. Until the mixture is made by mastering processor, global dynamics should be uniform to a large extent. As you can see with this mixture, some of the titles are quieter than others, and it gives some points where the lanes are clearly visible, the stronger sections. I spent this aware fact during my Mix, if found here, but it seems to me that this is happening during each merge, especially if it occurred.The use of the equalizer and effects is the main culprit of these holes and peaks. This will increase even more when two tracks are mixed. Commercial basis of treatment is also different, and this can also affect levels of material mix.The most common way that people with this problem that the entire mixture is treated is a compressor, belt - Br. Even if this can somehow it will not solve the problem, levels are often so different that the measure which applies the compression, need to beat the problem is a bit overdone. It can regenerate, pumps and poor coloration and dynamics of sucking Effekte. Der the best way to avoid it is manually in your mix, and there are two ways, as you can do. Here, the easiest is to select areas with the sound in a sample dedicated editor problems and change the benefit of a few decibels more or less. This method is not particularly sensitive, but that works surprisingly well. Spikes can also successfully and appears with this route. So you have to beat your mix art and have a great collection of songs. Register your last live show, or having the key final for a promotion in the study group. The question is what you do now?It is a good idea to allow inclusion in a product really audible, apply a few basic commands and ensure that it is in the correct format. It is also important to add track markers, if you want to burn to a CD. Here are a few tips for getting started. In terms of compression, light received a degree of master reduction of time CPU with an attack very slow and release or plug-in cards must be tamed. If not properly completed if the previous step, you must apply large amounts of compression here. As soon as the aircraft or processed in your DAW's time in your computer for further processing. How to go about this hanging of truth as if you have registered your device and media use. If you are enrolled in a digital camera copied CD or MiniDisc format WAV or AIF files to convert. Try to keep the maximum resolution available here. Of course, CDs are only on 16 bit, but you will notice other formats with 24 or 32 bits.If you have registered your device in a DAW to live or a tractor, you bounce/export/rendering the mixture in a single file. At this stage the WAV or AIF reuse causes a loss of quality such as the use of MP3 and other compressed formats. When you try to use the highest resolution you can, 24-bit, 44.1 khz is better here and is certainly high enough to control the recording. for the purposes of this tutorial, I made a mini mix 3 tracks to illustrate the manufacturing process. Everything was mixed in Ableton Live 8.01 and reproduced in a WAV file. Regardless of how you registered you your device should now a digital file, with no cut and the entire mixture should be noted. ,,.